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Children are often the forgotten casualties of war, and the line between friends and enemies isn’t always clear. When I was 16, my father died of cancer. Today, it would be presumed to be related to Agent Orange, the deadly […]

My earliest childhood memory is a jumbled concoction of airport images. Rough landings on rocky tarmac and the irritatingly redundant voices over the loudspeaker announcing gate changes. Delayed departure times. Layovers, turbulence and sleeping on leather benches — the arm-rest sharply stabbing me in the ribs. Duty-free perfume samples. Metal detectors. Overweight luggage. Airsick bags. Passport control — my eyes heavy and legs shaky, as I slowly waddle forward in the crowd, waiting for my turn. A deep grumbling in my stomach lets me know I’m either hungry or nauseated.

Denver is near the mountains, not in them. The Mile High City is located on high rolling plains, 12 miles east of the foothills — a series of gentle mountains that climb to 11,000 feet. Just beyond is the Front Range of the Rocky Mountains, picturesque snowcapped peaks that rise to 14,000 feet (fourteeners as described by locals). Denver might not be in the mountains, but the mountains still dominate the city.

Augusto Valverde and Alex Harz had never met one another before I introduced them this past June. They were both presenting their work at the Fifth-Annual SeriesFest, a Denver-based festival and marketplace dedicated to showcasing innovative episodic content from around the world.

Social scholars consider food to be a cultural pillar, in part because it is idiocentric to societies worldwide. Food has been used to mark countries and peoples for generations. It follows, that in Zhaojialou, an ancient water town in Shanghai, China, local cuisine takes top billing among the regional treasures for travelers to explore.

 \ ˈhōm  \ home[1] noun 1: one’s place of residence 2: the social unit formed by a family living together 3: a familiar or usual setting: congenial environment. the focus of one’s domestic attention 4: a place of origin. one’s […]

Why Wonder Woman Director Patty Jenkins, her husband Sam Sheridan and their three-generation cross-cultural family served the perfect background to tell the tale of Fauna Hodel, a young woman in search of her identity in TNT’s limited series “I Am The Night.”

In a three-part series of interviews with third-culture kids (TCKs) and cross-culture kids (CCKs), we will learn about the upbringing of TCKs, making a life after many cultural experiences and raising of mixed-race children. In part one of our series, […]