cross culture

Internationally renowned for hospitality and luxury, Cannes is home to more than 50 annual events that attract some three million visitors. The city’s busy, year-round calendar includes entertainment, music, advertising, technology and real estate conventions with the annual Cannes Film Festival being the most famous and swanky among them.

In part one of this conversation, we introduced you to Jemi Laclé and Claudia Koerbler, two intercultural Washington, D.C. professionals who are expert communicators. Here, we learn more about how these accomplished friends promote female empowerment.

Today, as we observe the tensest interactions between the United States and its allies in years and as globalization takes root deeper in the world, interacting with people from different cultural and linguistic backgrounds has become more common for most, especially for Americans. Considering U.S. history and policies over the past 250 years, we see a vacillation of how other cultures have been met by Americans.

Two CCKs capture and share their extraordinary global journeys on film. Alex Harz’s Story In part one of Fear, Faith and Film, I spoke of introducing two filmmakers whose stories were more alike than people may initially think. Augusto Valverde’s […]

Augusto Valverde and Alex Harz had never met one another before I introduced them this past June. They were both presenting their work at the Fifth-Annual SeriesFest, a Denver-based festival and marketplace dedicated to showcasing innovative episodic content from around the world.

Longtime entrepreneur Arlene Rivera, 55, is a has been doing hair for three decades. She operated salons in Puerto Rico before relocating to the Rocky Mountains and is a self-proclaimed “hair doctor” who believes that understanding curly and wavy hair is about more than simply knowing an individual’s ethnicity.

Baruch Inbar is an award-winning artist, illustrator, writer, designer and children’s book author. Born in Moldovia (the former Soviet Union), Inbar’s family immigrated to Israel when he was 6. Due to various family hardships, he spent many of his formative years (ages 10 to 18) in foster care. The artist’s foster home, where many other children had experienced abuse and neglect, was structured much like a boarding school.

As a young child in Santiago, Chile, where I lived near my father’s family, I learned Spanish and English simultaneously and was always encouraged to make art. My Chilean father and American mother ran a theater company there with players from many different countries.