“Epinephrine” is a film that follows a biracial sex worker and architecture student as she experiences microaggressions in her day-to-day life.
The film, directed by Crosbie Roper, showcases how the tight grip of racial oppression has left its mark on all shades of black skin, and perpetuates the generational trauma that lives inside every black person having lived through it, or living after it.
Additionally, the movie explores the effect of a person both white and black living in a haunted country — haunted by racism, colorism and sexism — and how those ghosts, goblins and phantoms follow, seep, mimic, pose and dance with the truth so often, they become indistinguishable from the fiction.
“Epinephrine” addresses themes of identity, race and female objectification in a way that resonates deeply with our current cultural landscape. It sheds light on the nuanced experiences of being mixed-race, navigating dualities in life, reflecting the struggles of those caught between worlds in a society grappling with questions of belonging and intersectionality.
By connecting personal challenges with the enduring legacy of slavery and systemic inequities, the film highlights how historical trauma shapes modern identities. At the same time, “Epinephrine” challenges the dehumanization and objectification of women, particularly women of color, emphasizing the resilience required to reclaim agency and self-worth.
With its portrayal of a protagonist who lives in both worlds of professionalism and hedonism, the film defies stereotypes, humanizing individuals often judged by societal labels. As a deeply personal yet universally relatable narrative, “Epinephrine” fosters empathy and brings much-needed visibility to underrepresented voices in media.
Check out the trailer below.
